Monday, August 14, 2006

Some swimsuit pics...


First... to show you the situation the models face...













Now some pics... All taken with the Alpha, no corrections done.





Multiple Exposures Continued

Took up to 9 images, adjusted levels and opacity and came up with the following images.

The Wall splitting one I included one original.



Multiple Exposures

Using Sandwiching, some hue/saturation and levels adjustments... I was able to turn the normal subjects into something with a bit more jazz... the top two images are half of the normal images below... I didn't include the defocused images.



Early Alpha Pics

Some Pics with the Sony Alpha... Here's some downtown buildings, good dynamic range..
A blue Heron... out for a fish
The Ocean was glass this morning...
Good image with some rocks...

Monday, May 15, 2006

My boat pics

Just some pictures of my boat, Using Rule of Thirds and Depth of field to accentuate what I'd like.

One more, neighbourhood daredevil in action.

Studio setting





Working with a set-up under different lighting conditions. Objects were meant to tell a story. I don't like what I did...

Night Shooting Int Digital

Some pictures taken in downtown Vancouver at night. Playing with metering in low light situations.

Pic here - Metered one on the window, one on the sidewalk, chose a halfway point for the shot. So a bit of overexposure and underexposure but a nice enough image.






Needed a 7 second exposure, so put on bulb setting (unlimited time exposure) and put hand over the lens until a car went by to add more lights. Too many neon signs blew out the storefronts but it's a nice effect.






Two pictures, same scene, just exposing for different parts of the scene.


Sunday, March 19, 2006

Adobe Work


Working with Adobe, removing colour information and using the history brush.













Black and White image, captured on RAW and then played with the contrast to get the image to really stick out.

Monday, February 27, 2006

Model Face shots

A number of face shots with the same model. Some with a white board to reflect light, some without.



Body Structure





Same model - two pictures.

Very thin body structure. When she had her head lifted it really emphasized her structure. However by asking her to lower her head her picture becomes more emotional because of the angles off her chin.






Studio Work

Studio Work with Models. Took pictures of the this model from various angles, creating a bit of a story.

A stressful moment when I thought the hotshoe on my camera wasn't going to work with the studio lighting. Luckily I was wrong.

You can see the different shades of colour for the same skin on the same person. Lighting really seems to affect the colour and mood of the image.




For this photo, we needed a white board to reflect light back onto the face off the flash. Otherwise the side of the face became washed out.


Final Image: The subject is created.

Thursday, February 09, 2006

Aperture Values

By closing up the aperture. You change the way the picture is viewed. The first one shows the full scene, a well built overpass over a nice creek in an obviously western forest. The second one shows a fence that is well beyond it's years of service and adds something to the age of the forest.

Wide Aperture: F14.0Narrow Aperture: F2.8

White Balance Assignment

Assignment: to use the pre-set white balance settings in the camera to affect the picture.

This photo has the appearance of being a taken in a moonlit, dark, foreboding creek.

In actuality, It's a sunny creek that seems to be inhabited by a infestation of sphagnum.

Shutter Speeds


Late sun, grabbed this picture in Tynehead Park.

Iso 1600 (had to crank it in the low light)
F 3.5
1/40th of a second.





Same spot, lengthened the exposure. Sure makes the water look more active.

F6.3
Iso 400
Exposure 1/4 of a second

Monday, January 30, 2006

Shutter Speeds

Here are some shutter speed examples:

The first, Panning with a moving bus with a relatively long exposure time. It's light out so relative to dark situations it might not look like a very long exposure time but for the amount of light it is.


F16 (narrow as possible)
1/8s exposure time


Same conditions. I want to freeze this nice car and I opened up the aperture to let in more light. As well, the background is not as sharp because of the large aperture.



F 2.8
1/320 exposure time.







Here is an example with a human being. The fast action photo with a short time turns out much better than the longer exposure time. In fact the highlights get overblown (bright day) and he still moved so fast you cannot tell what the subject is.